Film Mélo: Violinvirtuose Marcel trifft auf Erster Geiger und verliebt sich in dessen Frau. Liebesdrama von Alain Resnais ironisch umgesetzt. Mélo. Experimentelles Dreiecksmelodram von Alain Resnais ('Hiroshima, mon amour'). Bewertung. Stars. Bewertung. Redaktions Kritik. Bilder. News. Kino-. le film MELO m' a beaucoup plu. Les acteurs Sabine Azéma, Michel Dussolier et Pierre Arditi sont magnifiques. La fin qui est un dialogue entre les deux acteurs. le film MELO m' a beaucoup plu. Les acteurs Sabine Azéma, Michel Dussolier et Pierre Arditi sont magnifiques. La fin qui est un dialogue entre les deux acteurs. Film Mélo: Violinvirtuose Marcel trifft auf Erster Geiger und verliebt sich in dessen Frau. Liebesdrama von Alain Resnais ironisch umgesetzt. Marcel Blanc, Violinvirtuose, Weltenbummler und Frauenheld, trifft alle Jubeljahre seinen Studienfreund Pierre Belcroix, erster Geiger in einem kleineren Orches.
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Live-Spiele Extraklasa Unibet Casino unter Melo Film Lupe nehmen. - InhaltsverzeichnisNach den Beratungen zwischen Bundeskanzlerin und den Länderchefs sind die Reaktionen gemischt.
Melo Film Melo Film annehmen. - StatistikenDrei Jahre später treffen er und Marcel erneut aufeinander.
Als literarische Vorlage diente das gleichnamige Theaterstück von Henri Bernstein. Beide sind Violinisten. Als diese den sensiblen Marcel bei einem gemeinsamen Abendessen kennenlernt, sind beide schnell voneinander fasziniert.
Sie beginnen eine Affäre. Als Marcel zu einer Konzertreise aufbrechen muss, hofft er, Romaine werde bei seiner Rückkehr für ihn frei sein.
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Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image. Romaine Belcroix Fanny Ardant Christiane Levesque Pierre Arditi Marcel Blanc Jacques Dacqmine Remy Hubert Gignoux Edit Storyline In Paris in the s, a concert violinist meets and falls in love with a stylish young flapper who's the wife of an old friend.
Edit Did You Know? If it's old and French I'll try to watch it but I'm not having a great run with Resnais so far.
It's deliberately stagey, being closely based on a play from the 20s and even gives shots of a proscenium arch and curtains from the point of view of a theatre audience.
Ironically it's the varied placing and movement of the camera which gives the film some life that would otherwise be completely lacking. I'm not sure this play should have been revived I was actually planning to have Hiroshima Mon Amour as my first Alain Resnais film but this is readily available on Mubi and it'll leave the streaming service tomorrow, so I immediately jumped on it.
Not sure if I really liked it but it does have excellent performances from the entire cast. That's something I'm absolutely positive about. Beautiful staging, though.
Reviewed on Cinema Eclectica. I remember reading a review of Radiohead's Kid A when it came out which accused the band of "playing with one hand tied behind their backs", an accusation which now seems almost magnificently off-base.
It definitely fits for this mid-period Resnais, in which a man whose debut film opens with one of the most remarkable montages ever cut together has apparently thought, eh, maybe just don't bother editing?
The entire first sequence is a carefully studious workaround the degree rule, which is only initially "broken" as a character starts telling a story with punctuated elements of the cinematic language close-ups, movement, changes in perspective, etc.
Its willingly exaggerated romantic tragedy functions within levels of text that allow for such grand acting choices and inspired embellished writing, while retaining a certain earnestness despite the artificiality of it all.
Beautiful sets and dramatic lighting changes, too, fully taking advantage of the stylistic disposition. Might as well be my favorite melodrama since Lorde's.
Theatrical, melodramatic dramaturgy and artificial settings laying the perfect structure for Resnais to exercise his masterful formal ventures.
So preciously beautiful. While Marcel has become famous and Pierre has not, both are happy with their lives.
Pierre is happily married to Romaine, a stylish young flapper. However, Marcel meets and falls in love with her, which Pierre little suspects.
Romaine carries on her affair with Marcel, even as Pierre falls ill, which she may have deliberately exacerbated with her treatment in order to murder him.
Soon Marcel goes on a concert tour, and Romaine abandons Pierre for a romantic tryst.